During interviews that Marcel Duchamp grant in 1960 to Georges Charbonnier, it tells us that the work is as created by the Viewer by the artist, for his part unable to estimate the aesthetic result and the intrinsic value of his work.
Work engaged in this sense by the use of text rather than image address a signal trigger to the visitor, gave him intuition of what he sees, the Assembly of a lime job faced with the stiffness of steel contributes to exacerbate the reflection the viewer about the past and the present, humans as the work being the sum of the years, it's time or the reason gets to see.
If we consider the work as subjective reality, the question of creation is reversed, the viewer becoming a creator and a shared utopia the work.
If the aesthetic emotion is delayed, the creation and the “mimesie” is raised by this reversal. Delacroix shows us that a work condenses one emotion that the viewer needs to relive or evolve.
Present on the art scene in 1985, Joseph is influence by all symbols of a popular culture, it is part of this new generation of prolific artists driven by a desire for dialogue in opposition to the radicalism of the 1970s. Feeding of his father’s work this artist takes hold of all mediums and diverts waste paper witnesses of our contemporary culture.
After studying architecture at the EDPI then the graphic arts at the Sornàs school, Joseph carried out his preparation at the school of fine arts of Paris where he studied painting and drawing, leaded him more often to walk the aisles of museums in Paris that Bonaparte Street corridors.
While passionate about the work of the new realists, mainly Hains and Villeglé, it is his encounter with that of Antoni Tàpies, which will prove decisive. He wondered about the question of the substantial interference pigments and pasta as a unique form of expression.
Joseph was born in Paris in October 22, 1961. He lives and works in the South of the France.


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